You're About To Feel The Fusion

Today, It's Time To Get Back To That Interview Thing
I Had The Chance To Discuss With One Of My Favorite Diggers
Your Super Underground Dj/Producer Fusion Unlimited
Who Along With Ken Sport Released The Come Into Knowledge Mixes
Who Got To Be My All Time Favorites


Fusion Is A True Digger
Diggin' For Some Obscure Stuff You Wouldn't Even think Off
He is Also An Accomplished Producer
Providing Beats For Mad Skillz, El da Sensei, G Unit To Name A Few

Fusion Is Just Doin His Thing
Keepin It On The Low
After Twenty Years As A Hip Hop Activist
workin' in The Studio On The New Skillz Album
and Finishing His Own On Legendary ABB Records



Fusion Is About To Get The Exposure He Deserves
But Right Now,

He Is Only At
MASSCORPORATION

Can you introduce yourself to the ignorant kids?

FUSION UNLTD.(FUP)

PRODUCER

DJ

RECORD GUY

BUSINESSMAN

Where you from?

BALTIMORE,MD.

How Long Have You Been A Hip Hop activist?

20 years I GUESS

What's your point of view on hip-hop culture,our culture, nowadays?

IT DEPENDS ON WHERE YOU STAND..
FROM THE BUSINESS IT'S GOOD I GUESS
BUT FROM THE SIDE OF WANTING TO HEAR MORE THAN JUST YOUR 808 DRUM KIT TYPE OF SHIT THEN
IT'S WACK!

I JUST THINK THE BAR ON THE MUSIC IS @ A ALL TIME LOW...
MATTER OF FACT...THERE IS NO BAR, CATZ ARE JUST DOING WHATEVER, NOT THINKING ABOUT WHERE THE MUSIC IS GOING.

and on hip hop production? (it s all about keyboards,they gettin scared to sample)

WELL AGAIN IT DEPENDS ON YOUR TASTE.
I MEAN IT' S GOOD PRODUCTION OUT THERE WITH WACK ASS VOCALS ON IT..
& THERE GOOD VOCALS OVER WACK ASS BEATS..
IT'S NOT ALL ABOUT THE KEYBOARD TO ME..I MEAN THERE ARE A LOT OF SYNTHS BEING USED NOW A DAYS BUT CATZ ARE ROCKING SAMPLES WITH THEM..ITS ALL ON WHAT YOU LIKE.

when did you first start diggin?

@ AGE 12

when did you got hooked on it?

I WOULD SAY AROUND AGE 14
MY MOM WAS REALLY INTO RECORDS..
SHE HAD MAYBE LIKE 3,000 HER SELF

you dig obscure israeli or russian records dont you think you went way too deep into diggin?

NAH NOT @ ALL IT'S UNLIMITED..
I DONT CARE WHERE MUSIC IS FROM AS LONG AS ITS GOOD!
SO THAT'S WHAT I LOOK FOR WHEN I DIG GOOD MUSIC..

your favorite records of all time?

WHEW TOO MANY TO NAME..BUT THE ONE I LISTEN TO A
LOT IS RAMSEY LEWIS "MOTHER NATURE'S SON"

the piece you re the most proud of?

THIS CORNY LITTLE 45 CALLED "BALTIMORE" BY THE CONTRABAND

your favorite labels?

CADET,STAX,AJP,SONSHINE RECORDS,KPM,DE WOLFE, AND SO ON




Artists?

TOO MANY
AHMAD JAMAL,BARRY WHITE,QUINCY JONES, TO NAME A FEW.




do you feel like samplin' is creative?

HELLLL YESSS!
IT'S A SKILL YOU HAVE TO WORK ON TO PERFECT..

you're puttin this diggin thing on a whole other level by buying the publishing rights of old underground independant funk and soul records.

I GUESS..
IT'S JUST BUSINESS.



what gave you the idea to do this?

WELL ONE DAY I WAS READING THAT MIKE JACKSON OWNED THE BEATLES CATALOG & LEASED IT OUT TO SONY FOR 900 MILLION OR SOMETHIN CRAZY..
THEN I READ THAT PAUL McCARTNEY OWNED DAVID AXELROD CATALOG & WAS MAKING $ OFF OF DOING THAT

SO I JUST WAS LIKE, WITH ALL THOSE INDIE RECORDS I HAVE, THAT MIGHT ONLY BE 500 TO A 1000 EVER PRESSED, MAYBE I CAN DO THE SAME THING UNTIL I GET MY MONEY UP & BUY BIGGER CATALOGS..




doin' this, you must have made a lot of haters?

NAH I DONT THINK SO..
WHY WOULD IT!
I AM NOT MESSING WITH ANYONES MONEY..

THE STUFF I OWN I TRY TO GET IN MOVIES & TV ADS & ETC.

what's next for fusion?

WELL GETTING MY ALBUM DONE & WORKING ON A LOT OF DIFFERENT PROJECTS..
I AM JUST TRYING TO DO MY PART & LIFTING THE BAR BACK WHERE IT SHOULD BE..

is your album on abb coming out?

YUP!
ITS 90% done

what is your relation with other diggers?

GOOD..
I SPEAK TO CATZ NOW & THEN..
I DONT REALLY SEE CATZ LIKE I USED TOO. BUT WHEN I SEE OR SPEAK WITH THEM WE ALL STILL LOVE THE RECORDS..

You're considered by some as the first to release mixtapes playing the original and the hip hop track just after?

DON'T KNOW ABOUT THAT..

you sold many?

I HAVE SOLD A LITTLE BIT.
I ONLY DID ONE & IT SOUND LIKE TRASH...LOL
IT WAS FOR A RADIO SHOW @ MORGAN STATE IN BALTIMORE..I DID THIS LITTLE 15MIN. MIX EVERY WEEK
& I JUST TOOK A FEW OF THEM & THREW ALL ON CD & THAT WAS IT..

This Tape Is Called

----->The Hold Up<----
And Here It Is LucKy Kids
Get You're Hand On It Only At MASSCORPORATION

What make you turn from digger to producer?

WELL I WAS ALWAYS INTO BOTH..

@ AGE 11 I TOOK KEYBOARD CLASSES & DRUMS LESSONS.
WHEN I GOT INTO RECORDS I JUST WANTED TO DO WHAT THEY WERE DOING ON THE RECORDS I WAS LISTEN TO

SO I GUESS IT ALL WENT FROM THERE.

How many records do you have?

MAYBE 20-22,000 & GROWING
Your favorite diggin story? (like the craziest one)

HONESTLY I DONT REALLY HAVE ANY..
JUST BUYING RECORDS IN RANDOM FUNNY PLACES LIKE TRUCK REST STOPS & STORAGE ROOM OF A WOMANS SHOES STORE..LOL


Your ugliest diggin story?

BUY 2,000 VERY GOOD SOUL RECORD THAT SMELLED LIKE PISS..
I HAD TO LET THEM SIT OUTSIDE FOR WEEKS TO GET SMELL OUT OF THEM..



Would you pay any price for a record?

HELL NO!!!!!!
I HAVE A FAM.
IN TIME IF I REALLY WANT A RECORD I'LL FIND IT FOR A GOOD PRICE..




apart form records do you collect any other stuff sneakers, whatever

SNEAKERS FOR SURE,T-SHIRTS, MOVIE POSTERS...THAT'S MOSTLY IT..




What's inside your studio?
RECORDS,KEYBOARDS,TURNTABLES,& A FEW APPLE CPU'S



Since you're from baltimore how do you dig this baltimore club shit,Bamabounce ?

IT'S COOL!
I HAVE NEVER DONE ANY OF IT THOUGH..

A LOT OF MY FRIENDS HAVE.
I AINT MAD @ IT!

Have you sold a record to a producer which happened to make a hit out of it?

I DONT SELL RECORDS TO PRODUCER UNLESS THEY GET THEM FROM STORES I TRADE WITH..


were you part of the ghetto pros?

NO...
WE'RE JUST HOMIES

They Realesed A Beat EP Together On HydraBeats Even Though Fusion Don't Like It That Much
it worth listening

You Can Get Your Hands On It At Travis' WYDU Incredible Blog



you used to hang out a lot with ken sport and he got a little something to ask

COOL SHOOT!

Ken Sport:
"My partner in crime You got a killa records collection!!! You're no joke man! I would say You gotta one of best breaks beats & sample collection, My question is -when his long over due album is coming out?

NEXT YEAR!
And when is new volume of come into knowledge mixed cd is coming out???

I'M READY HOMIE..
LET'S GO!

Hopefuly you are doing well. Peace bro!

Well Right Now You Can, While They Might Released A Third Volume ,

Get Your Hands On The First and Second Opus

Those Are Easily On My Top Ten Favorite Crate Diggin' Mixes

Don't Sleep on those precious gems

once again only at 

MASSCORPORATION

---->Super Hard To Find Volume 1<----

Provided By Mr Fusion Himself

and The Classic Volume 2

        In Two Parts

---->Part One<----

  and

---->Part Two<----

Do you still work with skillz (mad skillz)?

YES SIR!
WE ARE MIXING HIS NEW ALBUM NOW..

you sold one beat to g -unit on their first album beg for mercy, how does this happens?

ME & SKILLZ WERE OPENING UP FOR 50 & I PASSED SHA MONEY A BEAT CD..

Sha money xl seems to like the sampling type of producer why don't you work with him no more?

I STILL SEND HIM MUSIC EVERY NOW & THEN

WE GOOD!

Can You Named us your major influences in music as a producer/digger?

MARLEY MARL,


MANTRONIX,


PETE ROCK,


DILLA,


PREMO,

one last word for the kidz?

THX FOR THE SUPPORT..

shoutouts

KEN SPORT,IVAN"ORTHODOX",BENI B,GENE BROWN,NATE,MARCO,SKILLZ,E,HALL OF FAME,SAMM EVANS
MY WHOLE TEAM @ FUP MUSIC & GRIND DATE ENT.

Live From New York

You Know The Deal About Hip Hop
There are Two Sides Of It
The Real And The Phony

From The Realest Side Here Comes Mr Live.

Mr Live Is Not Your Average Mc 

He Is A True Battle Cat From The Dirty Streets Of Fort Green 

From his experience in Hip Hop Acts Like Balcrayn and E & J To Becoming A Solo Mc 

From Being "Signed" On Bobbito Legendary Fondle'Em Label To His Beef With J-Live 

Mr Live Tells It All

You Got To Cop His Last Year Album
The Bang Theory

Plus You're Lucky enough To Get Your Hands
Two 

Unreleased-Never-Heard-Before-Too-Hot-To Handle Tracks

From The Forthcoming Project Untitled Vertigo
Featuring Mike Ladd, Pacewon,Tes, Insight, L.i.f.e Long Buck 65
And Many More
All Tracks Produced By The Defenders

The French Producer You Don't Want To Fuck With

Baby


And

Oh No

__________________________________

How did you work on the beats of the album, how did you select them, did you ask for a producer to work on a type of sound…?

Well, we work on. We make joints like at least every other week. I’ve got a group of four-five producers that I work with and that’s my homies…There’s Ste-lo who did a lot of work with C-Rayz Walz, a couple of joints with El-P, Cannibal Ox and stuff like that,

Ves who I was working with back in the days,

my man Big Trap who did “Crossroads” and “Step it up”.

Each of these dudes kinda has a different feeling.
Earl (blaize)’s sound is the queen of sounds, kinda futuristic.When I need an underground joint, I might mess with Ste-lo or Trap. When I want a really kinda 95 feeling, I mess with Ves. I’m a underground MC at hard beat, so I love the dirty 95 underground grimy beat, like the street 95 beat. But again I like the diversity and when I listen to it and I hear too much stuff sounding the same, I want to change the sound.

You did this song “Make it rowdy” and some people didn’t like it. At the same time, this same people can listen to the Neptunes and new kinda productions style so how do you feel about this? The same guys, when it’s supposed to be underground, they don’t like this kind of sound and when it’s mainstream, they just deal with it and they like it…

Well, my thing is I never hate on another’s person opinion and I don’t think I’ll ever never make an album where you’ll like every fucking joints, that everybody likes every joints. If I do an album that’s all underground, maybe some of the ladies won’t like, and some of the cats that really like something easy going.

If I like a track, I’m gonna do it. It’s as simple as that. I’m not gonna say: “Oh this sound is too mainstream, or this sound is too underground, or this sound is too bitchy, like some gang shit”… I would love to be that kind of artist where you could accept certain tracks from me. I really don’t want to be trapped in the underground and at the same time I don’t want to be considered like a mainstream artist, and I notice this may sound a bit a contradiction. It’s like Cee-lo, he didn’t care about his Goodie Mob fans, he wanted to do some good music. All I do is pick good tracks, that’s what I try to do anyway.

Talking about Earl Blaize, did you ever feel like collaborating with MC’s from Anti Pop Consortium ?

I know Earl from way back in the days, like in the 90s. We had this shows together. Priest was solo back then. Sha Key came out with an album and then I had met Beans and Sayiid came way later. But when I was doing lyrical style, we didn’t compliment each other, they was doing something else. That’s my people though, I love them cats. But what they talk about and how they talk about it don’t really match, we don’t really go together. But if you listen to “Lemon face”, it’s kind of like AntiPop style. It’s the closest I can get. Not even lyrically ‘cause I’m never gonna be all over the place like that, but kinda like the function and the subject. It’s kinda like a tribute to APC, to AntiPop Consortium style music. Me and Earl got like 5-6 tracks just dedicated to APC sound, ‘cause he gotta lot of fans out there. Like I said, Priest is my dude, I love Beans, me and Sayiid is cool.

I heard there was something like a reunion of APC …

Yeah, they spoke being together making some joints because I know Priest getting something out now, Sayid has something a little while ago. They wanted to do a joint with me man, so I said maybe we can do it man, I’ll try.

How about the connection with Bobbito Garcia, are you still in touch?

Yeah, he’s my dude. Basically it was crazy ‘cause it came thru Breev Brewrn from the Jugganots and we both hanging in the same circles. One day Breev was going up to Bobbito’s spot and he invited me to come with him. And that’s how me and Bobbito got tight. And then there was that club we all used to go in 95-96-97 that was called Nuyorican Poets Café. Bobbito used to host there so I was seeing him like 2-3 times a month. I was used to keep on giving Bobbito tapes with new joints to play on his show and he never played a joint! But Bobbito was black and white, if Bob likes it he plays, if he didn’t he didn’t play. It was actually at that time I came to Europe for the first time, in 94-95. I was going to quit, I was going to stop rhyming. Everybody was on some gangsta shit and I was trying to get out of that shit. I running the streets myself, and I wasn’t proud. And I gave Bobbito like my last demo, I was like a dog. He liked it, he went so far he was like “Hey I want to put this out”. I was like “What?! Fuck it!”. I wasn’t really interested in independent hip-hop at that time ‘cause to me everybody that was on independent labels, I didn’t like them at all. But the shit took off, so I was happy about it.

There was a kind of hype about Fondle'Em records and it disappeared so what happened…?

It’s like Bobbito kinda rule, he wasn’t no major kinda dude, he didn’t want to do videos. Bobbito was trying to make it a real classic vintage situation. He wasn’t being hard at beating the industry. All of us was tired about the industry but Bobbito was really tired about the industry. He put out a couple of people, a couple of joints and then he just let it fall. I came back to him with joints like “Do you want to put this out?”, he was like “No I don’t want to put that out”. But I was like “Yo but this is better that “Supa Dupa” everybody was saying this shit is gravity, he was like “Put it out yourself”! And I was like “… yeah! You’re right!” ‘cause when he said no, I was like “Damn, it’s over, I’m no coming out no more”. So I really awe Bobbito a lot, he showed me the way, he paved the way for me.

How do you feel about hip-hop in New York now? It used to be like very avant-garde and everything was starting in NY?

Oh it’s garbage, it’s trash! Let me clarify it. What is represented as New York hip-hop is not. And it’s not to say that there’s not artists out here who is doing good hip hop music. I’ll even say it’s the same amount of artists than back then. It’s just too hard to reach out there. Record companies and radio is not going to play real music. They wasn’t really playing it way back then. It’s just that they got out. We was lucky ‘cause shows like Bobbito shows and mixtapes, because of that it come out. Now because supposedly hip-hop music makes so much money, you heard a lot of bullshit. Because individuals don’t have the balls to do their own music or materialism type of music, about women shaking their ass, about bullshit that they don’t even have. Let there be an even thing, let that flow but let my shit play too.

Let the Jugganots shit play, let Mr Len shit play… there’s a lot of good music out there that don’t come out. I don’t even pretend that I want to be involved with that kind of situation, it’s bad. That’s why I concentrate my efforts overseas, at least I heard it’s kinda crazy out there too but at least there’s still a following out there that listen to good music.

Have you met J Live lately and if he had offered to do collaboration, would you have turn the offer down or would you have accepted it?

That’s an interesting story. When I came back from France, I found out that somebody else got my name. Ain’t nobody got no J-Live, get the fuck out! I’m listening to this cat and he blowing up, he’s getting played all over the place. So I’m like “Get the fuck outta here, ain’t nobody doing music in New York no J Live! ”. ‘Cause I had no record out, but I was all over the underground scene. I was part of a group called Blacrain, everybody knew me but it was within Blacrain. So I’m giving the cat the benefit of the doubt and I’m really coming with some peaceful shit… “That’s my name you’ve got son. We need to battle for that cause that’s my name you’ve got”… I was on Bobbito, I was on Stretch show, I was on Eclipse show, and everybody in the underground knew who the fuck I was. The guy is talking you’re not the real Live. Give me just this battle. I consider him a good MC but I would have definitely had this ass up… But he kept on frontin’! And there was a little article where he said, “I heard about the cat and I’m ready”…That’s where the beef came from. So I actually talked to the cat right after that. I was like, “Listen man, if you don’t want to battle, don’t battle, fine! But don’t broadcast saying you ready to battle me. So I don’t want to see my name in any of your articles no more or if anybody asks you just say that you don’t want to battle.” I saw him in front of a club one day and I told J-Live: “Listen man, this is no violent thing, I was at 3 of your shows I could have be beating the shit out of you then. This is no violent thing, this is a hip-hop thing. I just want to battle and I said, “If you want to do it though, we could put a record out” and then a cat that was putting records out, he did some joke about that… I was “I don’t even have to hear your verse. You don’t hear my verse, I don’t hear your verse. We battle on the same track. And we let the audience decide”. The nigger never showed up, never. So people was telling me that I was scaring him. I’m not a violent guy but everybody knew my street reputation. I didn’t bring that to hip hop, I wanted to get away. Hip-hop was a release for me, it got me away from the streets. We had ran on him one time and we squashed. I told him to go ahead about his business, I go ahead about mine. We just do it like that. That was it. He never wanted it. He don’t want to be on no track with me. I make him look like he ain’t graceful.

Basically you’d never do a track with him today?

I’d do one with him today, it’s no problem. I told the cat that I’d do a track like I’m back in the days. I really don’t got no animosity against the cat. If he wanted to do a joint, I wouldn’t mind.

Tony Bones and Sha Key are on your album. Are guys planning to do some new stuff with Vibe Kamelonz and 88that’smyname ?

Me and Bones got all this stuff stuck pile.

He is a very very successful graphic artist. He’s got a clothes line coming out, actually he got two, called Local Strangler and Corner Store Hero…




And at the same time we’re gonna put out some little EP with that. We’re going to do it big. We’ve got three new tracks done already.

Sha Key is doing her thing. She’s on some real bohemian shit right now. That’s my girl though but she makes movies, she’s acting, she is doing a lot of films, lesbian films kinda like drama docu type situation. She’s kinda successful in that. She’s got a little band out right now going on. She is doing a lot of stuff in France too.

And how about Mr Len, do you have some new tracks together?

I do some tracks all the time. I have about six tracks with him. I plan on putting on the next album soon at least two Mr Len joints. Me and him rhyming on one actually.

We haven’t listen much from Mr Len, so what’s going on?

He chillin’. He actually putting cats out, he’s got like 2 groups he recently put out on his own record label, Dummy smacks. He’s doing that right now, kinda the way Bobbito did with Fondlem’Em. He is doing his things…I’m actually trying to make him coming out to make the DJ for me, but he’s doing his thing.

Kanye West or 50 Cent?

I definitely like Kanye’s productions better. But he will talk about life social stuff and real things and at the same time being contradictive with a lot of materialism. I would rather listen to Kanye West rather to 50 Cent. I don’t like 50 Cent, I don’t like nothing about 50 Cent. His first album was a classic though.

And the real tragedy is that everybody is talking about how much records they selling and ain’t nobody say how good the record was. That’s a shame. And you know what, the shit that I got stockpiles is way better than fucking Kanye. And I blow 50 Cent album.
Where are we as people when we ain’t even talking about music in an artistic sense, we talk about how many fucking records is selling.
What about the album? Was the album good? All that hype for what? For 2 mediocre albums?

wow, looks like a super hot clash indeed

Live Long And Prosper We're Holdin' It Strong

This Time it's All About The M.C.

L.I.F.E Long

From The Stronghold Legendary Crew

Stronghold Consists Of

L.I.F.E,

Poison Pen,

P.Pullz,
Breez EvahFlowin',
C-Rayz Walz,

Wiz,

Mic Terror

Immortal Technique
And
Dj Static

Damn You Don't Wanna Battle This Cats

L.I.F.E long Album Untitled Longevity Volume 1.5
Is One Hell Of An Album With Guest Appearance From

Apani, Poison Pen, Mista Sinista, Iomos Marad, U.G. Of The Cella Dwellas, Grand Fortune

And Others
A True Conscious Album That You Should Definitly Buy
Cause Even If I Know That's It's All About Downloading And Leechin'
From Time To Time You GOT to Support Hip Hop Art By Buying
Give Money To Keep Our Great Culture Alive

Anyway Here Is An Interview With L.i.f.e Long
L.I.F.E Brings Food To The Table
Don't Sleep Buy Your Copy Of
Longevity Volume 1.5

________________________________________

Genesis of your crew Stronghold ?

Stronghold was an idea that Breez evahflowin had in 1997. We were all emcees that would just keep seeing each other at different hip-hop functions going on in n.y., At a legendary spot that everyone used to meet at 88 hip-hop was where stronghold formed.. Breez thought it would be a good idea for some of the best emcees in n.y. to form a crew and basicly spark a movement. Hence stronghold was formed!

Stronghold and New-York Underground ?

I mean its all true Stronghold basicly is the foundation of
that raw independent n.y. hip-hop. during the beginning stronghold was everywhere we put it down at alot of places wether it was on record in the battles or on stage. Stronghold is worldwide baby!!!

Feedback about each member of your crew

I think each member of stronghold play's there part. Technique and C-Rayz get a little bit more shine then other's
however we all have put out releases that were well supported,
were all different emcees with different styles i think that's what makes things so dope about my crew, no one is alike. Breez crayz and i put out releases actually before Technique if you look back at the history of our releases. Breez was the first to drop an album, then walz and then me!

Collaborations and featurings on masterpieces of the independant hip-hop

Most of the projects i was featured on were basicly because of my N.Y. Hip-hop connections. I knew Antipop or actually Beans and High Priest I met Saiid later before they were a group the same as Vast and vordule those are peeps from way back atoms fam and stronghold were runnin around for years together so the colaborations were bound to happen!


Boom Bap Influences

My influences for longevity vol 1.5 is just being around
that real raw original boom-bap i wanted to create a feeling that has been lost for quite some time as well as take it back to the golden era of hip-hop of originality and creativity! I grew up in that native tounge era plus i'm from n.y. so the sound i guess the feeling of this record is just a representation from what i have been surrounded around all my life that raw N.Y. boom-bap raw beats and rhymes!

Collaborations on your album

I have U.g. from the legendary group cella dwellas, Iomos Marad from Chicago, Apani, poison pen, Spier 1200, Donan Links, Mista sinista ..s ,Dysh, Gran fortune these are all peeps I'm cool with i never met dysh that was through the label but i was connected to his beats and new they would be a good fit for the project. I wanted to do something different with the features and showcase rare artists either not heard before or not heard in a while. I basicly wanted to keep this project exclusive and different from anything out now!

Longevity vol 1.5 : the meaning

I named the project longevity vol 1.5 because of my length in the industry. The vol 1.5 has many different rerasons it was a year and a half in the making and also not the first album but its like my first album since my e.p. struggler's paradise released in 2003. plus i have been doing music for over a decade. It has a lot of meanings to me not just one. Longevity,
meaning also my music is timeless..

Few words :

I alway's sound different on every song that i do. If you listen to any L.i.f.e. long song they never sound the same, i guess i vibe differently with people so when i do my solo stuff your getting the real life. My features is me fitting with the song and the person i'm featured with. I have my own style so if your looking for what i did on someone else's record you won't hear that cause my style is that raw N.Y.C. 90's hip-hop. I'm old school however i can rock with anyone!

Here Are Two Tracks From Longevity LP

First One Featuring U.G Of The Cella Dwellas


And Another One With Iomos Marad Of All Natural Inc.

Plus 

You Got to hear the crew ripping the radio station

StrongHold Freestyle Session From WNYU 1999

Provided By Man 

Nes 

Of 

Dirty Water-Just-Too-Fabolous Blog